Raised in an evangelical environment, I grew up asking what happens after: what remains when belief, structure, and form begin to erode. My work continues that question through material rather than doctrine. Influenced by brutalist architecture, natural decay, and sculptural language, each piece explores permanence and fragility, the coexistence of strength and surrender.

Using neutral tones of grey, beige, black, and deep brown, I work intuitively. Materials such as plaster, latex, and concrete are shaped by instinct, then left to dry naturally, mirroring the slow processes of erosion and endurance. The surfaces record their own histories, echoing the resilience of both nature and the human spirit.

These works are not a critique of destruction but a meditation on what withstands it. Concrete and Earth, ruin and rebirth, all persist despite human interference. I am interested in what will outlast us, in the quiet legacies built from what’s often overlooked. Designed to complement minimalist and architectural interiors, my work invites stillness in a world that constantly demands noise.